Paulina Rivero’s paper is a description of a day lived in the shadow of the authentic danger that modern technique implies. It has taken us into a world that is merely functional, in which the forgetting of being leads to forgetting our own interiority. Rivero claims that a key phenomenon in..

RESUMENEn este artículo la risa se explica a través de la conocida teoría de la risa como una respuesta ante la incongruencia. Con base en lo anterior, la autora compara dos tipos de respuesta ante la incongruencia: aquella que pretende resolver la incongruencia, a saber, la filosofía, y aquella que la festeja sin remediarla: la risa. Y es que la tragedia y la comedia, el llanto y la risa, tienen en el fondo un mismo origen, tanto como obras de arte, (...) en la antigua Grecia, como en la vida humana.PALABRAS CLAVERISA, FILOSOFÍA, TRAGEDIA, COMEDIA, INCONGRUENCIA, RESOLVERABSTRACTIn this paper, laughter is explained through the well-known incongruence theory, i.e. as a way to deal with incongruence. The author compares two different ways of acting upon incongruence: one of them is to try to resolve it by setting a rational order and the other one is to take it as it is, accept it, and laugh. Tragedy and comedy, just like crying and laughing, have both the same origin, as works of art in ancient Greece, and also in human life.KEY WORDSLAUGHTER, PHILOSOPHY, TRAGEDY, COMEDY, INCONGRUENCE, RESOLVE. (shrink)

"La filosofí­a florentina en el jardí­n de Adán" La Modernidad ha tenido enormes dificultades para reconocer plenamente al Humanismo como parte de toda su incuestionable tradición filosófica y en particular de reconocer al Humanismo florentino a partir de sus propuestas filosóficas como lo que en esencia ellas son, representaciones concretas, históricas, del mundo. Tales dificultades radican en la imposibilidad de no poder o no querer superar sus propios parámetros y esquemas de explicación y reconstrucción histórica. Pues si algo es cierto, (...) es que filosofí­as como las de Pico della la Mirandola, Marsilio Ficino, Poliziano, Pomponazzi, Tommaso Campanella y Giordano Bruno, contienen todas ellas una constante común: la dificultad de ser explicadas y comprendidas a la luz de la razón y de la cientificidad modernas. "The Florentine philosophy in Adam's garden" The Modernity had had enormous difficulties to recognize fully the Humanism like apart of all its unquestionable philosophical tradition and in particular of recognizing the Florentine Humanism starting from its philosophical proposals as what in essence they are, concrete, historical representations, of the world. Such difficulties reside in the impossibility of not to be able, or not to want to overcome, their own parameters and explanation's outlines and historical reconstruction. Because if something is true, it is that philosophies like those of Pico della la Mirandola, Marsilio Ficino, Poliziano, Pomponazzi, Tommaso Campanella and Giordano Polish, all of them contain a common constant: the difficulty of being explained and understood by the light of the reason and in the modern scientific approach. (shrink)